何濟(jì)喬,浙江湖州人,1965年出生,國(guó)家一級(jí)書法師,現(xiàn)為中央國(guó)家機(jī)關(guān)書法家協(xié)會(huì)會(huì)員、中國(guó)書畫家聯(lián)誼會(huì)新文藝工委會(huì)理事、中國(guó)楹聯(lián)學(xué)會(huì)會(huì)員、黃山百花書畫院名譽(yù)院長(zhǎng)、浙江濟(jì)國(guó)文化藝術(shù)有限公司董事長(zhǎng),號(hào)寧鹿齋主,其書畫作品,瘦勁其形、婉潤(rùn)內(nèi)蘊(yùn)、清新俊逸、樸秀多姿。何濟(jì)喬自小喜愛書畫文學(xué),1983年在天津求學(xué)時(shí)經(jīng)浙江藉教授杜國(guó)生老師推薦拜在啟功先生門下,得啟功先生把手親授,數(shù)十年苦練書畫,專學(xué)啟師,遍學(xué)王羲之、米芾、黃庭堅(jiān)、趙孟頫等名家,融會(huì)貫通,并始終遵循啟功老師的教誨,淡泊明志,獨(dú)自暢游于書畫藝海,快然自足。
He Jiqiao, born in Huzhou, Zhejiang Province in 1965, is a national first-class calligrapher. He is now a member of Calligraphers Association of Central State Organs, a director of New Literature and Art Committee of Chinese Calligraphers Association, a member of Chinese Couplets Association, honorary president of Huangshan Baihua Painting and Calligraphy Institute, chairman of Zhejiang Jiguo Culture and Art Co., Ltd., and master of Ning Luzhai. His paintings and calligraphy works are thin, vigorous, fresh, handsome and colorful.He Jiqiao loved painting and calligraphy literature since he was a child. When he was studying in Tianjin in 1983, he was recommended by Professor Du Guosheng, a professor from Zhejiang Province, to worship under Mr. Qi Gong. He practiced painting and calligraphy for decades, studied as a teacher, learned from famous artists such as Wang Xizhi, Mi Fei, Huang Tingjian and Zhao Mengfu, and got it all together. He always followed the teachings of Mr. Qi Gong, indifferent to Ming Zhi, and swam in the sea of painting and calligraphy alone, and quickly became self-sufficient.
何濟(jì)喬作品
何濟(jì)喬作品多次在全國(guó)書畫大賽中獲獎(jiǎng),多次入選全國(guó)性大型展覽,文化中國(guó)為其出版“向祖國(guó)致敬--何濟(jì)喬作品集” 公開發(fā)行, 今日頭條、騰訊新聞、百度、翰墨書畫、快資訊等十多家全國(guó)主流媒體全平臺(tái)多方位報(bào)道展播,何濟(jì)喬作品被《中國(guó)書畫家報(bào)》、《新文藝》、《名家收藏 》等報(bào)刋雜志整版刋登發(fā)表,作品入選“藝壇經(jīng)典、傳世名家” CCTV精品臺(tái)歷,并被邀參加CCTV中國(guó)藝術(shù)家春節(jié)聯(lián)歡晚會(huì),作品入選”中國(guó)文化進(jìn)萬家”精品日歷(年鑒)并被受與榮譽(yù)證書 和獎(jiǎng)牌,作品以”國(guó)禮”被阿拉伯二十國(guó)大使團(tuán)團(tuán)長(zhǎng)穆大使、剛果女王王維麗收藏,何濟(jì)喬所書“紫氣東來” 被北京百瑞谷景區(qū)攜刻成石碑,流芳后世,近萬幅作品為各大寺廟、名勝古跡、賓館、家居裝飾所用,留傳民間。何濟(jì)喬還是資深收藏家,收藏不少近現(xiàn)代名家大師吳昌碩、黃賓虹、張大千、齊白石、林風(fēng)眠、陸儼少、徐悲鴻、潘天壽、傅抱石、弘一、沈尹默、沙孟海、啟功、舒同等字畫真跡及大量古瓷器、玉器、黃花梨家俱等古玩珍品。
He Jiqiao's works have won many awards in the National Painting and Calligraphy Competition, and have been selected for many national large-scale exhibitions. Cultural China has published "Paying tribute to the motherland-He Jiqiao's works collection", and today's headlines, Tencent News, Baidu, Hanmo Painting and Calligraphy, Fast Information, etc. More than 10 national mainstream media reported and broadcasted on the whole platform, and He Jiqiao's works were reported by China Calligraphers, New Literature and Art, and Famous Collection His works were selected into the CCTV boutique desk calendar of "Art Classics and Famous Masters handed down from ancient times" and invited to participate in CCTV Chinese Artists Spring Festival Gala. His works were selected into the boutique calendar (Yearbook) of "Chinese Culture Enters Wanjia" and received honorary certificates and medals. His works were collected by Ambassador Mu, head of the 20th Arab National Mission, and Queen Wang Weili of Congo as "national ceremony". The book "Ziqi Donglai" written by He Jiqiao was carved into a stone tablet by Beijing Bairui Valley Scenic Spot. He Jiqiao is also a veteran collector, collecting many famous modern masters such as Wu Changshuo, Huang Binhong, Zhang Daqian, Qi Baishi, Lin Fengmian, Lu Yanshao, Xu Beihong, Pan Tianshou, Fu Baoshi, Hongyi, Shen Yinmo, Sha Menghai, Qigong and Shu, as well as a large number of antique treasures such as ancient porcelain, jade and huanghuali furniture.
何濟(jì)喬作品
從宋元到明清,文人書畫的文化表現(xiàn)越來越豐富,文人雅士作書畫成為文化傳承的主流方式,蘇黃米蔡、趙子昂、黃公望,吳門四家、揚(yáng)州八怪,他們前后相隨,用文人作品構(gòu)建東方美學(xué)格局,是謂中國(guó)美術(shù)史的中流砥柱。何濟(jì)喬時(shí)應(yīng)文運(yùn)隆盛,儒釋道又和諧相融,所以他的書畫也致力于用文人修養(yǎng),點(diǎn)亮?xí)嫷奈幕窬帧?/span>
From Song and Yuan Dynasties to Ming and Qing Dynasties, the cultural expression of literati painting and calligraphy became more and more abundant, and literati painting and calligraphy became the mainstream way of cultural inheritance. Su Huangmi Cai, Zhao Ziang, Huang Gongwang, Wumen Four Family and Yangzhou Eight Monsters followed each other, and they used literati works to construct the oriental aesthetic pattern, which is the mainstay of Chinese art history. He Jiqiao prospered in response to literature, and Confucianism, Buddhism and Taoism blended harmoniously. Therefore, his paintings and calligraphy also devoted themselves to the cultivation of literati and lit up the cultural pattern of painting and calligraphy.
何濟(jì)喬作品
其書法修養(yǎng)遠(yuǎn)師王羲之、米芾、黃庭堅(jiān)、趙孟頫等,不斷塑造人格學(xué)識(shí)做筆墨主角,以術(shù)濟(jì)道。又以啟功先生為師,經(jīng)過口傳手授,學(xué)書亦修德操,建立起比較完整的文人筆墨語言系統(tǒng),擁有可創(chuàng)作文人書法的境界體驗(yàn)與德操對(duì)稱,可以借助成熟的筆墨運(yùn)動(dòng),表達(dá)書法藝術(shù)的文化本質(zhì)。其書法瘦勁其形、婉潤(rùn)內(nèi)蘊(yùn)、清新俊逸、樸秀多姿!看他的書法可識(shí)人生的暢志以及文化傳承的姿態(tài)。來自生命自身的情感,成為書法或脫俗溫雅,或不亢不卑,或大方典雅的精神靚點(diǎn)!
His calligraphy training is far from Wang Xizhi, Mi Fei, Huang Tingjian, Zhao Mengfu, etc., constantly shaping his personality knowledge as the leading role of pen and ink, and helping the Tao with skills. Taking Mr. Qi Gong as a teacher, after oral instruction, learning books and practicing in Xiu De, he established a relatively complete language system of literati's pen and ink. He has the realm experience and moral symmetry of creating literati calligraphy, and can express the cultural essence of calligraphy art with the help of mature pen and ink movement. His calligraphy is thin, vigorous, graceful, fresh, elegant and colorful! By reading his calligraphy, we can know the lofty aspirations of life and the attitude of cultural inheritance. Emotions from life itself become calligraphy or refined Wen Ya, or humble, or generous and elegant spiritual beauty!
何濟(jì)喬作品
其繪畫作品重視中鋒用筆,強(qiáng)調(diào)回轉(zhuǎn)細(xì)膩,創(chuàng)作山水花鳥也用文人修養(yǎng)點(diǎn)亮文化格局。每每作線,剛?cè)嵯酀?jì)可寫細(xì)而不纖,也可以落筆沉著力作粗而不糙。文人作畫,依氣蓄筆力,墨彩韻華滋,嫻熟于六法,以氣韻生動(dòng)為靈魂,應(yīng)物象形隨類賦彩為體為用,入乎規(guī)矩求嚴(yán)謹(jǐn),出乎規(guī)矩畫性靈,山水常見胸次必先有寂靜高潔之觀,而后以幽淡天真出之的文化印象。云煙明麗,青翠郁蒼,山成畫,畫成詩(shī)!花鳥作品則有戲墨之趣,亦有禪道之理,畫得遂心應(yīng)手,筆墨鋪陳游刃有余,大寫意亦如捉物置眼前,寫生精彩雅俗共賞。筆墨有詩(shī)韻,文人之法,妙作天趣!
His paintings attach importance to the pen used by the center, emphasize the exquisiteness of rotation, and create landscapes, flowers and birds to light up the cultural pattern with literati cultivation. Every time you make a thread, you can write fine but not fine, or you can write calmly and make it rough but not rough. Literati painting, according to Qi, storing pen power, ink and color charm, skilled in the six methods, taking vivid charm as the soul, using pictograms as the body, seeking rigor according to the rules, and painting the spirit beyond the rules, must first have the view of silence and high purity in the common chest of mountains and rivers, and then take the cultural impression of being quiet and naive. Clouds and smoke are bright and beautiful, green and blue, mountains are painted and poems are painted! Flower-and-bird works have the interest of playing with ink, and also have the theory of Zen. They are painted to suit one's needs, and they are well versed in writing and writing. Great freehand brushwork is also like catching things in front of one's eyes, and painting is wonderful and popular. Pen and ink have poetic charm, the method of literati, and the wonderful work is of great interest!
何濟(jì)喬作品
何濟(jì)喬作品
何濟(jì)喬作品
何濟(jì)喬作品
何濟(jì)喬作品
何濟(jì)喬作品
何濟(jì)喬作品
何濟(jì)喬作品
何濟(jì)喬作品
何濟(jì)喬作品
何濟(jì)喬作品
何濟(jì)喬作品